简介：该剧讲述了:在这里他像常✃☣人一样娶妻生子，✍✗过着正常人的生活，然☁♠后终于有一天，自己所在的国民党组织保√密局突然想办法联系了★☚李春秋，约他在十二点十✕☵六分在鼎丰酒楼☳见面。蓝卓感激罗依静对✌✑素素的救助，他带着素♦素买上礼品来到了✏✔罗依静的住处，罗依静热√情将二人迎进家中，在✉闲谈过程中，✁웃蓝卓赫然发现罗依静已웃故男友长得与自己非常像☑✖。Scorsese✆☃ and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.详情